"I'm a Derek...and Derek's don't run."


Feel free to join me............

Google+ Badge

Saturday, 23 May 2015


Hello neighbourinos, new bit of work popped up.

I've decided to spruce up the Derek's Don't Run Films bandwagon, give it a lick of paint, and smacked it on the arse.

So, up and running is new website for my little music video venture.  I present to you......

Feel free to spread the word and throw some feedback at me (which isn't just "that's a bit shit").

In other news, the screening last week mentioned HERE for the band Black Neon nights went very well.  Piccies below

Got a great reception and was good to see it with a crowd.

See ya on the flip side....Danny

Sunday, 10 May 2015


Howdy peeps.

May kicking in so it must mean SUMMER BLOCKBUSTER time. So far, so average, but plenty of the year left movie-flick wise.

Anyway, back on song. By now you should've already checked out NECROMANCER by BLACK NEON KNIGHTS. If not, why not? Get clicking and share the mofo as much as!

If you're unable to do that because you'd prefer to see it live and with an audience, well then...we've got something lined up just for you.

The good Rob Speranza and the SYFN are screening the video at SHOWROOM SHORTS this Tuesday, 12th May at 8:45PM. More deets HERE.

Should be good as it's their Documentary night, which is usually full of interesting mini-docs made by local filmmakers and around the country. It's free, based in the Showroom bar, kinda a second home now. Come down if you can.

Also, you can now check out Black Neon Knights EP on all ya streaming platforms below:

It's been a busy two weeks doing the meet and greet thing. Had the chance to sit down for a Directors talk with Marco Van Belle who has just finished the rather impressive ARTHUR AND MERLIN. It's a fantasy epic that I miss out being one of the Assistant Directors on (yeah, pissed me off).

The film was shot for £200,000 which is mind-blowing to me. All involved just knocked it well out of the park with some bollocks to pull off what they did (it's basically as well made as an episode of Game of Thrones). Anyway, was a great talk. Really told you the home-truths of low budget filmmaking on that scale. Probably one of the best talks I've been too.

Along with that I got to see the new film by Duane Hopkins called BYPASS and met the films producer Samm Haillay. I chewed his ear off after the screening over a beer. Great feller with lots in the pipeline and gave some great advice to keep ploughing on. You may get that luck.

So...get to the screening. If you can't watch below and share people. Share. It.


 See ya on the flip side...Danny.

Friday, 3 April 2015


Well, well, well.   I've been busy. And below is the reason why.

Thanks to Rob Harris, Alice Harris, Dove and Rainbow, the band (Paul, Gareth, Matt, Geoff) and above all my wife Reem.

Give the band some love here -

I hope you watch, share, and above all enjoy. It's been a breeze to work on really.



 See ya on the flip side...Danny.

Thursday, 26 March 2015


Okey dokey pig in a pokey, first post of 2015.

So what's kickin' off?  Couple o' things.

Starting straight off with basing out a new music video for the Liverpool based rock band BLACK NEON KNIGHTS

Massive fan of these just as they're starting out.  Very much a hard-rock, metal band in the mould of Alice in Chains and Black Sabbath with some belting songs.

They were doing a gig nearby so I offered up some services to knock up a music video and work some magic.  With the help of my trusted DoP Rob Harris and his lovely wife Alice, we did my first live gig shoot.

We went all out and had a surprisingly good time.  3 camera set-up, plenty of coverage, complete freedom.  Footage looks great especially when you're not in complete control of these types of shoots.
It's gonna keep me busy for the next few months.

Meanwhile, go check out some of the Black Neon Knights TUNES and give 'em some love on FACEBOOK.

And speaking about the next few months....A new website should be up and running to pimp out my music video wares.  Hopin' it will generate some work and more adventures down the line.

In other news, I directed a music video for the band BRAVER THAN FICTION last year. This weekend I was told that the awesome lead singer Mel Lampro was diagnosed with Diffuse Large B-cell lymphoma. This is a cancer that attacks the immune system.

Mel is currently recovering well at home and I hope she makes a full recovery.  Go here to find out more information about it HERE.

See ya on the flip side....Danny.

Tuesday, 23 December 2014


Films of the year 2014. (Part One in review is HERE)

I have to say, this year has been an absolute stunner.  Compared to last years HERE, the quality, variety, and balls of some mainstream and indie movies has been outstanding (complete with some guilty pleasures).  Every week something came along and sucker punched me in the chops.

Again no real order.  If you ain't checked them out...what are you waiting for?

The Raid 2 - Gareth Evans
How to Train Your Dragon 2 - Dean DeBlois
Under The Skin - Jonathan Glazer
Nightcrawler - Dan Gilroy
The Babadook - Jennifer Kent
Gone Girl - David Fincher
Snowpiercer - Bong Joon-Ho
Interstellar - Christopher Nolan
Housebound - Gerard Johnstone
Teenage Mutant Ninja Turtles - Jonathan Liebesman
Dawn of the Planet of The Apes - Matt Reeves
Maps to The Stars - David Cronenberg
The Guest - Adam Wingard
Guardians of The Galaxy - James Gunn
Cold in July - Jim Mickle
Edge of Tomorrow - Doug Liman
Joe - David Gordon Green
Godzilla - Gareth Edwards

Honourable mentions -
The Machine - Caradog W. James (someone to watch out for)
Dom Hemingway - Richard Shepard (Jude Law turned into a real man's man actor)

Adding to this was Celluloid Screams Horror Festival 2014.  Which I have to say had more variety, surprises, and quality than previous years.  Here's what went off -

The Canadian Troma-esque troop Astron 6 ('Manborg', 'Fathers Day') were there with their new flick 'The Editor' - a Giallo (Italian slasher/horror films from the 70's and 80's) piss take. Fair play to them, they were at every screening over the entire weekend.  I would've buggered off after the film, but no, they stayed and met with lots of fans.  Good guys.

They also brought Lawrence Harvey who pops up in the 'The Editor'.  Really nice bloke.  However, seeing him just standing there after you've left the toilet did make me have a sleepless night.  If you don't know who he is, go see The Human Centipede 2.

Yeah, he's that guy.

Anyway - the biggy was meeting the big man below - Brian Yuzna.  Director of 'Society' and 'Return of The Living Dead III', as well as writer of 'Re-Animator', 'From Beyond', and...'Honey I Shrunk The Kids'.

The man is an absolute legend and also the nicest bloke you'll ever meet.  All he wanted to do was talk movies.  Had the pleasure of a brief chat with him after the QnA over ran - could easily have spent hours talking over his films.

Another fanboy moment was getting to meet Graham Humphrey.  "Who the fuck?"  You ask.  Here the fuck...

Go re-educate yourself when you see the art the man has created HERE.  When you've created iconic posters like the one above, you'll pay respect where its due.

As for the movies?  Well apart from seeing an all time fave 'Society' in a 35mm print, only two really stood out that I saw.

The first was 'Housebound'.  A New Zealand effort from director Gerard Johnstone.  Apart from thinking that the only thing New Zealand churned out were films about sheep and Hobbits, this little gem pops up.  Like a laid back version of 'The Burbs' meets 'People Under the Stairs' the film was funny, clever, witty, and had enough invention to set it above the usual horror fodder.

The 2nd impressive movie was actually a short film called 'Ink' which had its première.  While I find 98% of short films nowadays either a drawn out scene or FX reel, the short by Glasgow filmmaker Andy Stewart gave everyone a slap across the arse and made people take notice.

The short is a final film in a body-horror trilogy he's made, each with a similar theme but with noticeably bigger budgets.  However, its the overall craft of tension building coupled with the what-to-show-and-what-not-to-show-nature of each film stays constant and what makes it stand out.  It's one of the best shorts I've seen.

Go check out his first flick HERE.  His website HERE.  And follow the chunt on twatter HERE.  He's gained a fan from moi and you should like it too.

So that's that.  A list of great flicks, fun flicks, and ones to make you say "you liked that shite?".
See ya on the flip side in 2015, Danny.

Monday, 22 December 2014

Year in Review...PART ONE

Well, well, well.  Its the end of 2014.

Whatcha got to show for it?  For me it's a case of a few steps forward, one or two back.

The whole thing kicked off with the release of the music video "My Little Fantasy" by Braver Than Fiction in January. Check it below.


Read the previous blogs about it HERE

Responses to it were very good.  It seemed to give the band a little boost and something they could use going forward.  They've gone from strength to strength (tours, gigs, playing Sheffield's Tramlines festival) and hopefully will get better in 2015.  Check their OFFICIAL WEBSITE

The video did a few screenings.  Sheffield's Showroom Shorts and Manchester's Kino Shorts where it received some favourable responses.  Mainly a lot of "That was nice" than anything else.  Below is a link to a QnA from Kino Shorts -

Another nice little story came from hearing the progress of a friends band - MERRIN

They released an EP which received some great feedback and reviews called "Doom Cinema" which was accompanied by a trilogy of short films - which you can watch here HERE.

The big news was he received some some mad props on BLOODY DISGUSTING. The website putting them in the Top 10 movie influenced bands to listen to in 2014.

Chris and MERRIN have been gigging lots in London.  So if ya daaaarn saaarf try and check em out. Meanwhile, he's a video I made for them a few year ago.

HENRY KANE by -M E R R I N- from Danny Naylor on Vimeo.

Good stuff.  But, all in all...were people kicking down my door for a music video?  Nope.  Should they?  Probably not.  But as I was gearing up to pimp myself out...a few opportunities sprouted their pretty little heads.

The first was to work on Arthur & Merlin being shot in the Peak District.  I applied for a 2nd or 3rd  Assistant Director role not really knowing how big or small the budget of the film was to be.  If its small enough, they don't pay and you help out.  If it's has a fair budget then you're gonna have to be there on time, every day.

It just didn't pan out for me.   Holiday's from my 9 to 5, availability of my car, and funds were its downfall.  Am I sad about it?  Yeah, because I wanted to work on it.  I could've took the gamble but at the moment I have to play it safe.  I've too much on the line.

Then the Creative England Talent Centre happened.  Major coup on this one to a point where I even thought...why am I here?  You had award winning writers, directors, academy award nominated producers...then me - a guy who's highest budget he's ever worked on was £300.00.

I blogged a little about it HERE.  It span over about 6 months or so and overall was a great chance to network and understand the UK industry as a whole.  I got to meet Paul Fraser, who wrote one of my favourite films in 'A Room for Romeo Brass', as well as producers, sales agents, and buyers.

I also got to meet some great people - writers, producers, and directors - all wanting to make things happen.  It was a nice bubble to be in (as well as the ale).

It was all well and good.  Got me interested in applying for iShorts, the short film incentive they have.  Failed miserably as I expected but the feeling that it "maybe" could've crept through was a bonus.

So a load of ifs, buts, and maybe.  But there's a shining light on the horizon.

I'll hopefully get a few meetings up and running and see where it takes me based on the Talent Scheme.  There's always the music video and short angle I'm going to tackle if things begin to dry up.

But a big thing was hitting the Black List and getting some feedback from some industry professionals.  Basically it validated the writing.  Some ridiculous praise for certain aspects of it. Really mindblowing stuff that just pushed me further.

I've got some options now when I could've just gave up.  Lets see where it goes.

Oh....Check out PART 2 for my flicks and movie going of 2014 me arle china plates....

Saturday, 21 June 2014

The BFI and The Black List Punt...

Sup peeps.  Life stopped hitting you in the balls?  Makes a difference doesn't?

Enough cracking wise, just thought I'd give an update with the few things I've been getting up to.

If you clocked on to a tweet or bookface post I mentioned I'd been accepted on the Creative England Make the Leap scheme.  It's basically a networking type environment once a month with guest speakers from companies, the BFI, screenwriters etc coming in to talk to put you on a path to make a feature.

The first of these talks took place Wednesday.  I didn't know what to expect and overall it was a bit of an eye opener.

First up was Jamie Wolpert from the  BFI.  He is the Film Fund Development Executive for the British Film Institute.  He's worked on a number of films from Harry Potter to the Selfish Giant from a development stage.  Basically he's in charge of where the development funding goes and helps shape projects before they go further into production.

He talked about what the BFI looks for and funny enough for all the preconceptions labelled towards them, he happily pointed out that wasn't the case.  The bottom line was that they aren't looking for what's selling, how much money people can make (they're publicly owned so cant make films solely for profit), or what book is popular etc.  They want to help find new talent and push established talent further.  Well that's what he says.

I happen to believe him.  Mainly because the BFI don't seem to be agenda driven.  Of course the more established or proven track record are going to be looked at more favourably.  But when the argument of "the UK only funds kitchen sink etc" its not entirely the case.  The BFI aren't allowed to fully finance production of films for a start, they can only co-finance something.  So it's up to other sources to pool in to finance a film.  So the genre of the film can be anything which is what I found out when I happened to accost Jamie in the bar.

What did I ask him?  Well, just about the variety of films that are Lottery/BFI funded. I mentioned that in one week I saw two co-BFI and Irish Film Board films - Calvary and Last Days on Mars.  Two completely different films; one a sci-fi genre film, the other a quirky dark comedy. So how did that come about?  He said he's got about 3 sci-fi films in development and a number of genre films as they're good scripts, with good filmmakers.  But they can only go so far.  If funding isn't pulled from other places, it stays in development hell.

The 2nd talk was by Diarmid Scrimshaw of Inflammable Films, producer of BAFTA winning films TYRANNOSAUR and SWIMMER.  This was more open and brutally honest.

He broke things down exceptionally well. The more interest aspect I found was the idea that producers track Sale Agents to understand the market. If you don't know what the public like to see, what makes them see it, and who makes what in what territory, then you can't budget a film.  Any investor will not invest if they don't have the numbers.  They won't give you a million if your comedy about sex offenders will only sell in 1 country (Thailand...joke) and make 2K.

But a good point that stuck in my mind was what brings a UK audience to a film?  Well, here they are. Genre, Star, Buzz, Source Material. Genre is a massive aspect.  It sells the film straight away.  Everything else is additional but if the audience can't pigeon hole it, they ain't watching it.

All in all, a top night. Can't wait for the others.

Which leads to The Black List.

Does anyone know what it is?  No?  The Black List was set up to a promote a list of the scripts producers highly rate but haven't been made. The big one recently has been Transcendence which topped the list a few years ago and eventually got produced.

Anyway, there's been an offshoot to this.  The Black List still collates the top unproduced scripts but now offers a subscription service.  It can host your script for a fee which can them be read by members, agents, and script readers.  They offer a paid evaluation service where a professional script reader will read the script and provide an evaluation.  They rate the script and the higher the rating, the more views and buzz it gets.

I took a punt didn't I?  Below is the evaluation I received -

For starters, and there's no way to type this without it being a massive understatement, the action is great. Like a highlight reel of all the best parts of the MATRIX Trilogy, the various fistfights, shootouts and building-leveling brawls are punctuated with juicy gore and doled out at a rapid rate. The premise is thicker on style than substance, but that's to be expected for this type of sci-fi actioner. The best elements of the premise are activated early on, when Wesco and Fix have a bit of an LA CONFIDENTIAL Guy Pearce-Russell Crowe vibe: two fundamentally opposed cops forced to work together to solve the biggest case of their lives. The scene where they both watch their comrades get mown down and join together is sure to be a moment of catharsis for the audience. The broad ensemble finds room for lots of colorful characters, with the rivalry between Eve and Serchen's factions of supersoldiers being the rare B plot that could probably make a solid film on its own if it was expanded. The cyberpunk/near-future setting works well for the story; it's not so futuristic that everyone has tech-heavy "get out of jail free" cards, but it's just far away enough that the fascist-leaning government feels like a fun creation rather than tepid social commentary.

This story sticks very closely to the special one/hero's journey plot that just about every big-budget film goes for. Films being thought up by teams of execs and staffed writers can afford to be derivative, but for a spec originality is really king. That's just what's missing here; the reveal that James is special and the key to the entire plot can be telegraphed from the first page of the script and it's disappointing to see Don pushed into the fringes of the plot to accommodate James' solo journey. The script's plotting overall is more convoluted than anything; it's hard to tell why Murphy waits until he does to explain things to James, for instance. Or why James can simply "abort" the entire standing government of the city (a gimmick used to equally poor effect in ELYSIUM). Also disappointing is the badass female warrior essentially being a doomed lovesick "school girl" meant to inspire the hero by the script's end; it's as though the author is dedicated to retrofitting the most cliched plot elements onto a story that starts out as fairly unique. Pacing is fairly lax for a script that is so action-heavy; keeping track of the plot elements is more exhausting than intriguing - the way the mystery builds is perhaps a little too deliberate given that the climax is an action extravaganza.

This is an incredibly expensive script, but it's in the right genre: sci-fi action tales are more or less the only stories that can feasibly sustain this huge of a budget and still have a chance at profitability. This script would need to connect with the same massive crowds that made films like INCEPTION or MINORITY REPORT print money, and providing that the violence be toned down to a hard PG-13 it's totally possible to connect with all of them. Going R-rated might constrict the audience a bit, but not unduly so. In terms of satisfying the audience, it's a tough call: there's not a lot in this script that doesn't feel at least a bit derivative, but it brings the spectacle in a big way. It may be a bit of a split vote amongst action fans, but crossover appeal will be limited by the run-of-the-mill plotting.

Well, well, well.  I was pleasantly surprised by this.  First of all, the script in question is just a big sci-fi action film that will never get made.  So with that comes a bit of trepidation.  Those types of scripts for an amateur can be utterly shocking - too big and ambitious for a new writer.  So to me, this feedback is beyond anything I could've expected.

For an action script, it seems like I nailed the action.  Writing action isn't fuckin' easy.  Its either too much description to lose a reader or too little not to give any impact. But from this it seems like it delivered on that.

Another big aspect was commentating on the films that heavily influenced it.  Sometimes I get the feeling from screenwriting blogs and articles is that influences can ruin a script due if they are too open about it.  In this case it seems more that the story follows a conventional route rather than it being a case of a selection of favourite movie scenes put together.

When I read this I decided to reach out in the twatter-verse and ask a writer I've been following called Emily Blake.  Check out her blog - http://bambookillers.blogspot.co.uk/.

The idea was to get another opinion that can confirm what I want to do next based on the evaluation.  I can easily have made my own decision but I needed someone else to clarify the next step. Her response was that cliche is death and to rewrite.  Which is what I took from the evaluation but as I do tend to second guess myself I needed to make sure so I could kick on.

We'll see what I do with it.  But I'd say it is well worth using.  It's far cheaper and more beneficial if you want to be taken seriously.  It gets the script out there and you never know....well, yeah I do but I've got nothing else to look forward to.

See ya on he flip side...Danny.